On his windowsill he keeps
dead insects in alcohol
in glass vials. Dragonflies
and moths with motionless wings
sit still, keeping guard. Below,
he sits on his couch not a
bed—he doesn’t own one. He
sleeps hard on the floor alone.
On his couch, behind a closed
door, he thinks and stares at
the cardboard beer box he cut
and flattened into décor
above his closet. The rest
of the wall: bare, beige, and bland,
except for a lithograph
of Emily Dickinson,
plucked from a library book.
In the corner: his altar.
Three guitars—an acoustic,
electric, and bass—lean up
against his vintage, baby-
blue, nineteen-seventies amp.
A one-millimeter pick
sits and waits for him to play.
When he does play, it’s with shut
eyes. Concentrating, he jams.
With knock-knock-knock on the door,
a young woman walks into
the bachelor’s dead-bug, bed-less
hub—his pad. He stands up and
hugs her, smells her hair, kisses
her neck near her collar bone.
He says, “I love you, pumpkin.”